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	<title>Sarah Line Letellier: writing a novel about Anaïs Nin and Colette&#187; drag</title>
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	<description>writing a novel about Anaïs Nin and Colette</description>
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		<title>Drag and transgender in the 1900s</title>
		<link>http://www.publishsarah.com/drag-and-transgender-in-the-1900s/</link>
		<comments>http://www.publishsarah.com/drag-and-transgender-in-the-1900s/#comments</comments>
		<pubDate>Fri, 30 Apr 2010 06:33:58 +0000</pubDate>
		<dc:creator>Sarah</dc:creator>
				<category><![CDATA[Colette]]></category>
		<category><![CDATA[Drag]]></category>
		<category><![CDATA[Missy / Max]]></category>
		<category><![CDATA[Nights in Paris]]></category>
		<category><![CDATA[erotic stories]]></category>
		<category><![CDATA[historical fiction]]></category>
		<category><![CDATA[drag]]></category>
		<category><![CDATA[transgender]]></category>

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		<description><![CDATA[Colette’s lover Missy / Max (Mathilde de Morny, the Marquise of Belboeuf) lived most, if not all, of her adult life in drag. Society in the 1900s was still rigidly divided into binaries: male/female, heterosexual/homosexual. Today, we are lucky enough not to have to define ourselves so strictly, but then, blurred boundaries, fluid identities, the [...]]]></description>
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		<title>Missy or Max? Tu or vous?</title>
		<link>http://www.publishsarah.com/missy-or-max-tu-or-vous/</link>
		<comments>http://www.publishsarah.com/missy-or-max-tu-or-vous/#comments</comments>
		<pubDate>Fri, 15 Jan 2010 06:03:36 +0000</pubDate>
		<dc:creator>Sarah</dc:creator>
				<category><![CDATA[Colette]]></category>
		<category><![CDATA[Drag]]></category>
		<category><![CDATA[Missy / Max]]></category>
		<category><![CDATA[drag]]></category>
		<category><![CDATA[transgender]]></category>

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		<description><![CDATA[The “tu / vous” distinction is very important in French, as a measure of intimacy between speakers and writers. Traditionally, “tu” was used only by adults to children, between close relatives, intimate friends, and lovers. Nowadays, the rigid distinction is easing, and many young people instantly use “tu” with each other, dispensing with that awkward [...]]]></description>
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		<title>The Pure and the Impure — Colette in drag</title>
		<link>http://www.publishsarah.com/the-pure-and-the-impure-%e2%80%94-colette-in-drag/</link>
		<comments>http://www.publishsarah.com/the-pure-and-the-impure-%e2%80%94-colette-in-drag/#comments</comments>
		<pubDate>Wed, 18 Nov 2009 01:18:38 +0000</pubDate>
		<dc:creator>Sarah</dc:creator>
				<category><![CDATA[Colette]]></category>
		<category><![CDATA[Drag]]></category>
		<category><![CDATA[Missy / Max]]></category>
		<category><![CDATA[drag]]></category>
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		<guid isPermaLink="false">http://www.publishsarah.com/?p=142</guid>
		<description><![CDATA[I&#8217;m looking at a famous, gorgeous photograph of Colette in drag. She is very debonair with her cropped hair, and wears a black jacket and trousers, and silk tie. She has a finger in the pocket of her striped waistcoat (is she being suggestive, or searching for her pocket-watch?), smokes a cigarette and looks directly, [...]]]></description>
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		<title>Colette and the exotic 1900s Parisian scene</title>
		<link>http://www.publishsarah.com/flattery-will-get-you-everywhere/</link>
		<comments>http://www.publishsarah.com/flattery-will-get-you-everywhere/#comments</comments>
		<pubDate>Thu, 08 Mar 2007 22:59:10 +0000</pubDate>
		<dc:creator>Sarah</dc:creator>
				<category><![CDATA[Colette]]></category>
		<category><![CDATA[Nights in Paris]]></category>
		<category><![CDATA[erotic stories]]></category>
		<category><![CDATA[historical fiction]]></category>
		<category><![CDATA[drag]]></category>
		<category><![CDATA[writing fiction]]></category>

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		<description><![CDATA[The Colette chapter of my Nights in Paris novel is flowing along nicely, I am so excited about it and so into the whole daring, exotic, early 2oth century Parisian scene! 1909 wasn&#8217;t as daring as 1931 (the Anaïs chapter), of course, but because women were more hidden, in a way they had more freedom. [...]]]></description>
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